2019 ‘Creative Disruption: (Re)wilding the Anthropocene’, conference paper at Art in the Anthropocene, Trinity College, Dublin.
2018 ‘Apparatuses of capture: disruptive platforms and reactionary musics’, conference paper at Future / Present: Current Practices in Pop Music Studies, Uppsala University.
2018 ‘Making the unmakeable: an outside-in theory of improvisation’, conference paper at Technologies and Improvisation: Tools and theories for uncertain futures, University of Gothenburg and Chalmers University of Technology.
2017 ‘Disruption as Contingency: Music, Blockchain, Wtf?’, conference paper at Innovation In Music, University of Westminster.
2017 ‘We have never been human: towards an inhuman anthropocene’, conference paper at Signal Effects I: Digital Ecologies and the Anthropocene Symposium, Bath Spa University.
2017 ‘Music and the Blockchain’, talk at Future of Music and Digital Day, Digital Cities, Tramshed Tech, Cardiff.
2016 ‘Creative Heresies: Death Grips vs. Non-Philosophy’, conference paper at IASPM, Brighton.
2015 ‘There Is No Brightside: The dark sound of Alain Badiou’s inconsistent multiplicity vs the hyperpop of Tim Smith’s Cardiacs’, conference paper at Dark Sound, Falmouth University.
2014 ‘Radio Was Heard Before It Was Invented – Music and the Production of Production’, conference paper, Istanbul.
2013 From Neanderthals to Bassfaces, conference paper, Lisbon.
2012 Things Fall Apart – Improvisation and the Contingency of Music, conference paper, New Orleans.
2009 ‘The future of music is not to listen, but to play’ – public lecture given at Vision On, creative technology season at Ffotogallery, Cardiff.
2007 The Canonisation of Recorded Improvisations and its Impact on Performance Practice – conference paper and article published in the Journal of the Dutch Flemish Society for Music Theory.