2018 ‘Apparatuses of capture: disruptive platforms and reactionary musics’, Uppsala University, Future / Present: Current Practices in Pop Music Studies
2018 ‘Making the unmakeable: an outside-in theory of improvisation’, University of Gothenburg and Chalmers University of Technology, Technologies and Improvisation: Tools and theories for uncertain futures conference
2017 ‘Disruption as Contingency: Music, Blockchain, Wtf?’, University of Westminster, Innovation In Music conference
2017 ‘We have never been human: towards an inhuman anthropocene’, Bath Spa University, Signal Effects I: Digital Ecologies and the Anthropocene Symposium
2017 ‘Music and the Blockchain’, Tramshed Tech, Future of Music and Digital Day, Digital Cities: Cardiff
2016 ‘Creative Heresies: Death Grips vs. Non-Philosophy’, conference paper, Brighton
2015 ‘There Is No Brightside: The dark sound of Alain Badiou’s inconsistent multiplicity vs the hyperpop of Tim Smith’s Cardiacs’, conference paper, Falmouth
2014 ‘Radio Was Heard Before It Was Invented – Music and the Production of Production’, conference paper, Istanbul
2013 From Neanderthals to Bassfaces, conference paper, Lisbon
2012 Things Fall Apart – Improvisation and the Contingency of Music, conference paper, New Orleans
2009 ‘The future of music is not to listen, but to play’ – public lecture given at Vision On, creative technology season at Ffotogallery, Cardiff
2007 The Canonisation of Recorded Improvisations and its Impact on Performance Practice – conference paper and article published in the Journal of the Dutch Flemish Society for Music Theory