2018 ‘Apparatuses of capture: disruptive platforms and reactionary musics’, Uppsala University, Future / Present: Current Practices in Pop Music Studies

2018 ‘Making the unmakeable: an outside-in theory of improvisation’, University of Gothenburg and Chalmers University of Technology, Technologies and Improvisation: Tools and theories for uncertain futures conference

2017 ‘Disruption as Contingency: Music, Blockchain, Wtf?’, University of Westminster, Innovation In Music conference

2017 ‘We have never been human: towards an inhuman anthropocene’, Bath Spa University, Signal Effects I: Digital Ecologies and the Anthropocene Symposium

2017 ‘Music and the Blockchain’, Tramshed Tech, Future of Music and Digital Day, Digital Cities: Cardiff

2016 ‘Creative Heresies: Death Grips vs. Non-Philosophy’, conference paper, Brighton

2015 ‘There Is No Brightside: The dark sound of Alain Badiou’s inconsistent multiplicity vs the hyperpop of Tim Smith’s Cardiacs’, conference paper, Falmouth

2014 ‘Radio Was Heard Before It Was Invented – Music and the Production of Production’, conference paper, Istanbul

2013 From Neanderthals to Bassfaces, conference paper, Lisbon

2012 Things Fall Apart – Improvisation and the Contingency of Music, conference paper, New Orleans

2009 ‘The future of music is not to listen, but to play’ – public lecture given at Vision On, creative technology season at Ffotogallery, Cardiff

2007 The Canonisation of Recorded Improvisations and its Impact on Performance Practice – conference paper and article published in the Journal of the Dutch Flemish Society for Music Theory